Wednesday, April 21, 2010

SIT Scholarship Application

1) Please describe how you expect the content, theme, and location of this SIT program to contribute to the achievement of your academic, career, and personal goals.


The community arts work happening in urban areas across South Africa inspires my work as a community artist in inner city Baltimore, where reconciliation and development are also still in progress. It is my current and future goal to aid in that progress, especially through the arts. SIT’s program will give me the knowledge of politics and economics necessary to make significant change within my city, nation, and world. Additionally, the structure of SIT’s practicum-based independent study project opens up possibilities of interning with local community arts organizations, artist residencies, and even painters like Esther Mulangu, whose Ndebele style currently influences my own studio work. Through these opportunities I desire to better understand the arts' role in development and reconciliation in order to pursue these goals in Baltimore.


2) How will your participation in our program contribute to the creation of a diverse SIT Study Abroad group of individuals with a variety of experiences, opinions, backgrounds, and cultural perspectives?


As a minority at my middle school, high school, and now in Baltimore City, I know racism and racial discrimination well. However, I have also been a part of Baltimore’s diverse community that comes together to collaborate on sculpture gardens and murals, highway clean ups and tree planting. I’ve seen multiple churches organizing to clean a local playground and pray for the kids of the neighborhood. By collaborating with and befriending people from a range of ages, genders, races, cultures and classes, I am able to understand diverse perspectives and offer them as part of my own vernacular in response to the social problems I encounter. As an artist, it is my nature to bring disparate things together, a skill that is crucial to SIT’s program and to social and political reconciliation in South Africa.


3) Please describe your involvement in any campus-based activity and/or community-based service and the insight you have derived from these experiences.


For the past two years I have taught art at the Crispus Attucks Recreation Center as part of MICA’s Community Arts Partnership. Through this valuable internship I have formed relationships with the elementary school students of Baltimore City public schools, where only 34% of students who make it to high school graduate. I have gained insight into this epidemic through conversations with students and art projects that allow them to speak about their school and home experiences. When I understand where my students are academically, I am able to incorporate the areas they need extra help on (especially reading and writing) into art lessons. Being a part of this Rec Center has also led to my involvement in political activism, as we are currently in our second fight to dissuade the city from shutting us down.


4) Please describe a cross-cultural experience you have had and the insight you have derived from it.


The Save Middle East (Baltimore) Action Committee fought against gentrification in East Baltimore for nine years until disbanding only months ago. Kflu was the committee’s community organizer. When Kflu and I recently collaborated on a photo project for the committee, he shared much of East Baltimore’s history as well as his own. His family is from Eritrea and lives around D.C.'s large population of Eritrean refugees. We went to a local Eritrean restaurant where I admired a beautiful culture and people.

Kflu and I are continuing to work on a photography project documenting his community organizing experience here in the states. While exploring the buildings and culture of East Baltimore, I am also learning about Eritrea and grassroots organizing. Most importantly, however, I am learning how to step outside of myself and look at my world through the eyes of another.


The Sally Bragg Baker Scholarship aims to support those making a contribution to world peace.


A. What does “peace” mean to you?

To me, peace is accomplished by actively loving your neighbors, including your enemies.

This, paired with loving God, is the most important teaching of Jesus. In the book "Tea with Hezbollah," two Americans take Jesus' commandment of loving one's enemies literally, and go to the middle east to share conversations with some of the most notorious figures of the arab world, including leaders of Hezbollah and Hamas and even Osama Bin Ladan's brothers. These candid discussions reveal these men to be real people with emotions, fears, and hopes of their own. This is a powerful modern example of what peace is to me: the pursuit of truly knowing and understanding our brothers in humanity. Not just negotiating or resolving conflict, but making their sorrows, history and future our own. When we pursue this unity, two disparate identities can create one new identity that completely eliminates the concept of the "other."


B. Provide examples in which you have contributed to peacemaking—in your family, school, community, workplace?


Two months ago I heard a white man scream derogatory ethnic slurs and death threats at my black neighbor, Wayne, during an argument outside of my apartment. I called the police, and was subpoenaed to court as a witness. Wayne and I spent his court day in meaningful conversation, sharing life experiences and many laughs. He won his case, and mediation was offered between Wayne and his harasser. I encouraged him to do it, but Wayne was severely opposed.

My words, however, were not lost. Wayne recently sat down with a different enemy of his - the church that meets above his shop. Wayne didn't know it when he and I met, but I am part of that church. Wayne had been hostile towards the church since we moved in about a year ago, but he recently reconciled with a church leader, expressing that he had assumed wrong about his neighbors, and now calls many of us friends.


C. How do you see yourself using your study abroad experience to build on your strengths and create a more peaceful world?


I am going to South Africa as an artist, a believer, and a light skinned, middle class, twenty year old American. In my studies of social and political reconciliation, I will interact with people who identify very dissimilarly. I will create a more peaceful world by genuinely attempting to know, understand, and love these people. One way I am able to to do this is through community arts. I am especially interested in the role of the arts in racial reconciliation. I will also contribute to a more peaceful world by bringing what I learn back to the states and my home of Baltimore city. Knowledge of the history of apartheid, the developments leading to the dismantling of that system, the visions for post-apartheid South Africa, and the political, economic and social structure of the future South Africa are internationally relevant in today's efforts towards peace.


Tuesday, April 6, 2010

Gilman Scholarship Essays

Statement of Purpose

1. Why do you wish to study abroad and what factors led you to this decision? What do you hope to gain from and what do you anticipate will be the impact of your experience abroad?

2. Describe your study abroad program. What factors led you to select this program and length of study?

3. Why have you chosen your country of study? What factors led you to select this country?

4. How will this study abroad program and the coursework you take abroad impact your academic, career, and future professional goals?

5. Are there any distinctive components to this program, beyond coursework, that will impact your overall learning experience abroad? (i.e. home-stays, internships, field research, volunteer activities, extra-curricular activities, etc.)

6. What challenges, if any, did you face in your decision to study abroad? How did you meet these challenges and what impact do you foresee them having on your experience abroad? These could include, but are not limited to, being a parent, being a non-traditional student, having a learning or physical disability, being in a field of study for which it is difficult to incorporate study abroad, etc.

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As a painting major at the Maryland Institute College of Art (MICA), my future goals do not include elite galleries or fame in the world of high art. I consider myself a community artist, painting murals around Baltimore city, teaching art at two after-school centers, and creating dialogue on campus about Baltimore's social issues that exist outside of our safe bubble. As a minority at my high school, I became aware of the physical racial divides of my surroundings, as well as the psychological separateness of the “other”. Today, as a resident of Baltimore City, I encounter oppression, privilege, racism, racial discrimination, xenophobia and related intolerance daily. I am interested in how community arts can be used to create public dialogue surrounding these issues in an effort towards reconciliation and tolerance. SIT's Durban based program on Social and Political Transformation in South Africa is an ideal place to pursue these interests. Baltimore and Durban have both begun to use community art as the catalyst for deep personal, social, and political change. Durban has had an active community arts scene since the 1970’s, and is now home to organizations like “Art for Humanity” and “Create Africa South,” whose missions are to use art to “promote human rights awareness regionally and globally” and to “develop, preserve and publish, exhibit or market South African creativity, both in the visual and literary arts." These mission statements run parallel with my own academic and artistic interests. I have contacted these organizations, and may serve an internship with one, doing field research, as part of my independent study project required by SIT. SIT's program also includes a home-stay with a Zulu family, allowing me to become immersed in their language and culture. This cultural and linguistic understanding will greatly enrich my collaborative work with inner city Baltimore communities, especially Baltimore's large population of African refugees. Through SIT's experiential based coursework, I anticipate obtaining a solid grasp of the historical background of South Africa's apartheid system, contemporary developments leading to the dismantling of that system, the visions for post-apartheid South Africa, the political, economic and social structure of the future South Africa, and an anthropological and cultural look at South African society. This will benefit my current study of community art and my future professional goals in the fields of community development, social justice, international relations, and of course, arts and culture.

Follow-On Project Proposal

Gilman Scholars are required to carry out a Follow-on Project upon their return to the U.S. which promotes the Gilman Program and international education on your home campus and/or in your community. Projects should maximize the impact of your experience abroad by extending the benefits you received to your campus and community. Projects should be clear, able to be completed in approximately one semester, and have obtainable goals.


Summarize your Follow-on Project in paragraph format by addressing the following questions.


1. Briefly outline your proposed project to promote the Gilman Scholarship and international education. How will this project impact your home university or home community? What are your project goals?


2. What is your target population and how will your project impact this group?


3. How will you integrate the impact of your experiences abroad into your project?


4. What, if any, campus departments, student organizations, and/or community organizations will you collaborate with in promoting the Gilman Scholarship and international education? Have you already made contact with these groups?


5. Upon completion of your project you will be required to submit a two-page final report. What documentation, if any, do you plan to include along with this report highlighting the completion of your service project?

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The Global Africa Project is an exhibition of design, art and craft created in and out of Africa by creators living and working in Africa, Europe, the Americas and Asia. The goals of the exhibition are to "illuminate the rapid and pervasive interchange in the contemporary practice of design, craft and art to portray the truly global nature of being African, or African-descended in today's world." The exhibit will open in the Museum of Arts and Design in New York City in February 2011, and move to Baltimore's Reginald F. Lewis Museum in February 2012. The project is a collaboration between the Museum of Arts and Design and the Center for Race and Culture, Maryland Institute College of Art, and it's founding director, Leslie King-Hammond.

When talking to Leslie about how this exhibition could be a part of my Gilman Follow-On Project Proposal, she suggested that I write a guest blog on the Museum of Arts and Design's blog, (www.madblog.org) offering insight into my study abroad experience. I contacted the museum curator, Lowery Sims, and he has given me permission to report on all of the artistic findings I encounter aborad. As a community artist drawing connections between Baltimore and Durban, South Africa, I will greatly contribute to the discussion of community impact/creative collaboration and global morphing/cultural fusion. The blogs target audience includes international readers, especially those interested in the arts.

In addition to reaching the broad audience of an international museum blog, my study abroad experience will impact the students at the Maryland Institute College of Art through a blog that I create about international experiences. The goal of this blog is to provide a place for students who are studying abroad to report their experiences and findings to the rest of the MICA community, inspiring other students to study internationally as well. I will spearhead the blog by recording my own study abroad experience in Durban, South Africa, made possible by the Gilman Scholarship. I will start in July, the month before I leave, by reporting on my preparations and expectations. I will record my experiences and findings through December, when my program ends. I will recruit other MICA students studying abroad in Fall 2010 to begin the blog with me. The blog will exist on MICA's website under the Center for Race and Culture (http://www.mica.edu/Research_at_MICA/Research_Centers/Center_for_Race_and_Culture.html) by permission of Dr. Leslie King-Hammond. The website is currently being designed by myself through Wordpress.com, and will be transfered to MICA's server by MICA's Communications Department. The actual blog will be the primary source material for my final Follow-Up Project report. I will report on the structure and content of the blog as it evolved over the semester, as well as the impact it had on encouraging MICA students to study abroad. I will also discuss the content and impact of my writing for the Museum of Art and Design's blog.